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MACAULAY, Zachary (1768-1838) & MACAULAY, Lord Thomas Babington (1800-1859)
Blue Plaque commemorating philanthropists Zachary and Thomas Macaulay at 5 The Pavement, Clapham, London SW4 0JD, London Borough of Lambeth.
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Directions to Thetford, Church of the Holy Sepulchre
Directions to Thetford, Church of the Holy Sepulchre
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Blue Plaque commemorating essayist and historian Thomas Carlyle at 33 Ampton Street, King's Cross, London WC1X 0LT, London Borough of Camden.
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STANHOPE, Philip, 4th Earl of Chesterfield (1694-1774)
Blue Plaque commemorating author Philip Stanhope 4th Earl of Chesterfield at Rangers House, Chesterfield Walk, Greenwich, London SE10 8QX, London Borough of Greenwich.
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MORGAN, John Pierpont (1837-1913) & MORGAN, Junius S. (1813-1890)
Blue Plaque commemorating bankers John Pierpont and Junius Morgan at 14 Princes Gate, Kensington Gore, City of Westminster, London SW7 1PU.
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Great Days Out: Every one's a winner
From Neolithic burial chambers to a Cold War bunker, we reveal our record-setting sites to visit with your membership.
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RELPH, Harry (1867-1928) a.k.a. Little Tich
Blue Plaque commemorating music hall comedian Harry Relph at 93 Shirehall Park, Hendon, London NW4 2QU, London Borough of Barnet.
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Summer at Our Sites: Then and Now
The summer months at our sites have always been scenic. Here we reveal some of the paintings in our collection that show how many of our sites have been enjoyed in the same way for centuries by kings, queens, scientists, courtiers, visitors alike.
News
Blue Plaque for Barbara Hepworth’s London Studio
English Heritage has unveiled a new blue plaque today (30 October), commemorating one of the 20th century’s greatest artists and ground-breaking sculptor, Barbara Hepworth, alongside her first husband and critically acclaimed fellow sculptor John Skeaping. The new plaque will mark the 24 St Ann’s Terrace in St John’s Wood, where Hepworth and Skeaping lived in 1927 and where they held a joint exhibition (Hepworth’s first ever) in the studio at the back of the house. It was in this studio – a former billiards room – that Hepworth created one of her earliest Mother and Child sculptures, a motif that recurred frequently in her work throughout the 1930s.