Search Results
1755 results for publications
Property
Coombe Conduit is made up of two small Tudor buildings connected by an underground passage.Water was once supplied to Hampton Court Palace via this tunnel.
Property
A charming Gothic Revival 'eyecatcher' built in 1760 in the park of the Bishops of Durham. It provided deer with shelter and food, and had grounds for picnics and rooms for enjoying the view.
Property
The remains of the house of a prosperous Blakeney merchant, with a fine 15th century brick-vaulted undercroft. Later the guildhall of Blakeney’s guild of fish merchants.
Property
The fine 15th-century gatehouse of a vanished riverside manor house, with a beautiful oriel window. The monuments of the manor's Marmion family owners grace the adjacent church.
Property
Thetford, Church of the Holy Sepulchre
The only surviving remains in England of a priory of Canons of the Holy Sepulchre, who aided pilgrims to Christ's tomb: the ruined nave of their 14th-century church, later used as a barn.
Property
A small but complete portion of a stone manor house built about 1290. The first floor 'solar' private chamber, with attendant chapel and garderobe, stands over a vaulted undercroft.
Page
The Women’s Freedom League was a suffragist and equal rights campaigning organisation that worked on the principles of passive resistance and non-violence. Formed after a split in the Women’s Social and Political Union, it had its former headquarters at 1 Robert Street, Strand, which is marked with an English Heritage blue plaque.
Page
SPARTALI STILLMAN, Marie (1844–1927)
Marie Spartali Stillman is commemorated with a blue plaque at The Shrubbery, 2 Lavender Gardens, Battersea. During her long association with the house (1864–1885), she established her reputation as a professional artist, while also modelling for painters including Sir Edward Burne-Jones, D G Rossetti and Ford Madox Brown.
Page
SPARTALI STILLMAN, Marie (1844–1927)
Marie Spartali Stillman is commemorated with a blue plaque at The Shrubbery, 2 Lavender Gardens, Battersea. During her long association with the house (1864–1885), she established her reputation as a professional artist, while also modelling for painters including Sir Edward Burne-Jones, D G Rossetti and Ford Madox Brown.