LGBTQ+ History

The king and his favourite

In August 1614 King James I, on progress with his court in the Midlands, was staying for a few days with Sir Anthony Mildmay at his country house, Apethorpe in Northamptonshire. There was music and dancing in the Great Chamber, and among the dancers one man stood out: the 21 year-old George Villiers.


The king was immediately attracted to this striking youth, and so began Villiers’s rise to fame and fortune. Their relationship attracted a great deal of comment and speculation at the time, and has continued to do so ever since.

Detail from the earliest known portrait of George Villiers, painted shortly after he became a Knight of the Garter, around 1616, by William Larkin
Detail from the earliest known portrait of George Villiers, painted shortly after he became a Knight of the Garter, around 1616, by William Larkin
© National Portrait Gallery, London

George Villiers

George Villiers, born in 1592, was the son of Sir George Villiers, squire of Brooksby in Leicestershire, who had died in 1606. His mother, Mary Beaumont (d.1632), was ambitious for her son, and had George educated for success as a courtier, more than as a country gentleman. He learnt to dance, fence and speak French. Bishop Goodman of Gloucester wrote that he was:

the handsomest man in all of England, his limbs so well compacted, and his conversation so pleasing, and of so sweet a disposition… 

Others thought so too. A number of courtiers, led by Sir John Graham, a Gentleman of the Privy Chamber, had been grooming George for success. They were inspired by their hatred of King James’s current favourite, Robert Carr, Earl of Somerset. They bought Villiers a fashionable wardrobe, and arranged for him to be present at Apethorpe.

Portrait of Robert Carr, Earl of Somerset, from around 1611, by Nicholas Hilliard
Portrait of Robert Carr, Earl of Somerset, from around 1611, by Nicholas Hilliard
© National Portrait Gallery, London

James I and Robert Carr

King James had had a troubled and lonely early life. His mother, Mary Queen of Scots, disappeared from his life when he was in infancy.

In 1589 James, aged 23, married Anna, daughter of the King of Denmark, then aged 15. For some years the marriage was a close and affectionate one. They had seven children of whom only three survived infancy, as well as at least three miscarriages. After the death in infancy of their last child, Princess Sophia, in 1606, Anne declared that she wanted no more pregnancies. The couple began to live apart and the following year James formed a passionate attachment to Robert Carr, then 17 years old, the son of a Scottish gentleman.

Having risen by royal favour, in 1615 Carr became embroiled in a scandal with his wife, Frances Howard, daughter of the Earl of Suffolk. They were both accused of plotting the murder of Sir Thomas Overbury, a one-time friend of Carr who had opposed the couple’s marriage... Frances and Robert were found guilty and imprisoned in the Tower. But James would not countenance their being executed and in 1622 the couple were released and exiled to their country estate. By this time, there was a new favourite in the king’s life.

Portrait of James I of England and VI of Scotland in 1621, by Daniel Mytens
Portrait of James I of England and VI of Scotland in 1621, by Daniel Mytens
© National Portrait Gallery, London

‘Sweet Steenie’ and ‘Dear Dad’

George Villiers came to James I’s attention shortly before the Carr scandal exploded. His advancement was spectacular. He became Cup-bearer in 1614; Gentleman of the Bedchamber in 1615; Master of the Horse, Baron Whaddon and Knight of the Garter in 1616; Earl of Buckingham in 1617; Marquess of Buckingham in 1618; and Duke of Buckingham in 1623.

The king christened his new favourite ‘Steenie’ after a passage in the Acts of the Apostles where the first martyr, St Stephen, is said to have the ‘face of an angel’.

Several letters from James to ‘Steenie’ survive, variously addressing him as ‘only sweet and dear child’, ‘sweet Steenie gossip’, ‘sweet heart’, ‘sweet child and wife’, and signing himself ‘thy dear dad’, ‘dear dad and steward’, and ‘dear dad and husband’. In one letter James wrote:

I desire only to live in the world for your sake, and I had rather live banished in any part of the world with you, than live a sorrowful widow-life without you. And so God bless you, my sweet child and wife, and grant that ye may ever be a comfort to your dear dad and husband …

Part of a letter from George Villiers to James I dated 25 April 1623 and signed ‘Steenie’. From the fourth series of Facsimiles of Royal, Historical, Literary and other Autographs in the Department of Manuscripts, British Museum: Series I-V (London, 1899)
Part of a letter from George Villiers to James I dated 25 April 1623 and signed ‘Steenie’. From the fourth series of Facsimiles of Royal, Historical, Literary and other Autographs in the Department of Manuscripts, British Museum: Series I-V (London, 1899)
© Photo by The Print Collector/Print Collector/Getty Images

It seems clear that this goes well beyond conventional early-modern expressions of friendship, and could be described as a love letter. Not that there was anything covert about the relationship. In 1617 the king justified his favour for George to the Privy Council:

I, James, am neither a god nor an angel, but a man like any other. Therefore I act like a man and confess to loving those dear to me more than other men. You may be sure that I love the Earl of Buckingham more than anyone else, and more than you who are here assembled. I wish to speak in my own behalf, and not to have it thought to be a defect, for Jesus Christ did the same, and therefore I cannot be blamed. Christ had his John, and I have my George.

The affection appears to have run in both directions and George’s letters to the king were equally affectionate. At the time monarchs were regarded with such a degree of reverence that for a young man of no particular fortune to be regarded with such devotion by the king himself would have been an overwhelming experience.

A contemporary photograph of the chimneypiece in the King’s Chamber at Apethorpe Palace. This room, along with the other state apartments at Apethorpe, was specially built in 1622 by order of James I. The rooms feature magnificent ceiling decoration and ornate fireplaces, fit for a king
A contemporary photograph of the chimneypiece in the King’s Chamber at Apethorpe Palace. This room, along with the other state apartments at Apethorpe, was specially built in 1622 by order of James I. The rooms feature magnificent ceiling decoration and ornate fireplaces, fit for a king

James and George at Apethorpe

The Mildmays’ house, Apethorpe, where James and George had first met, was a favoured hunting retreat for the king. In 1622 Sir Frances Fane, husband to Mary Mildmay who inherited the house on her father’s death in 1617, enlarged the house ‘for the more commodious entertainment of his Majesty’, creating the magnificent state apartments for which Apethorpe is justly famous.

During the conservation of the house in 2004–6, a blocked doorway was discovered between the king’s bedchamber and the second chamber in the suite, known as the Duke’s Chamber. James and George probably occupied these rooms during the king’s last visit to the house in 1624. So James and George on occasion shared a bed, and at Apethorpe, had connecting bedchambers. This has been taken to mean that they had a sexual relationship, though we cannot know this for certain.

At the time, any overt homosexual activity would have been labelled sodomy, which was banned both by canon law and the law of the land. James I, writing to his Lord Chancellor, Francis Bacon, referred to sodomy as one of ‘those horrible crimes which ye are bound in conscience not to forgive’. Yet George wrote to James that on a journey he had:

…entertained myself, your unworthy servant, with this dispute, whether you loved me now…. Better than at the time which I shall never forget at Farnham, where the bed’s head could not be found between the master and his dog… 

A sketch for an equestrian portrait of Buckingham as Lord Admiral, by Peter Paul Rubens in 1625 (the finished version was destroyed by fire in 1949). The artist privately noted Buckingham’s ‘arrogance and caprice’
A sketch for an equestrian portrait of Buckingham as Lord Admiral, by Peter Paul Rubens in 1625 (the finished version was destroyed by fire in 1949). The artist privately noted Buckingham’s ‘arrogance and caprice’
© Kimbell Art Museum. Image via wikimedia commons

Power, Influence and Assassination

George Villiers rose so high in favour that his influence would begin to change the course of history. He had not only won the love and respect of the king, but also that of the royal family. James's queen, Anne, had detested Robert Carr, but seems to have been genuinely fond of George. He also developed a close friendship with their son, Prince Charles (later Charles I).

So close was their friendship that in 1623 George, now the Duke of Buckingham, accompanied Prince Charles on a long and hazardous journey across France to Spain, to try to conclude the negotiations to marry Charles to the Infanta Maria Anna, sister of Philip IV of Spain. Buckingham had rows with Philip IV’s favourite, the Count of Olivares, offended the Spanish with his arrogant behaviour, and destroyed any possibility of a Spanish marriage.

He took the failure of the Spanish match as a personal slight, and on their return to England, he lobbied for a reversal in policy, leading to a war between England and Spain in 1624.

An etching by Richard Sawyers portraying the assassination of George Villiers, Duke of Buckingham, by John Felton, published in 1822
An etching by Richard Sawyers portraying the assassination of George Villiers, Duke of Buckingham, by John Felton, published in 1822
© National Portrait Gallery, London

Buckingham’s grip on royal favour, and the levers of power and patronage, survived the death of James I in 1625: he wept on hearing the news. With Charles on the throne, Buckingham then presided over a war with France in 1627–9 in support of the French Protestants. Buckingham may have been the Lord Admiral of England, but he was no great military leader, and his expedition to the port of La Rochelle was an expensive fiasco.

Buckingham led England into two unwinnable wars with the greatest powers of the age. His erratic management of England’s foreign policy was ended with dramatic suddenness, not by any withdrawal of royal favour, but by his own assassination at an inn in Portsmouth by a disgruntled army captain, John Felton: he was 36 years old. Charles I was distraught at his death.

The York Water Gate in  Embankment Gardens,  London, designed by Sir Balthasar Gerbier and built by the mason Nicholas Stone. This is the only part of Buckingham’s London residence, York House, to survive. It bears his arms, and shells, emblematic of his role as Lord Admiral
The York Water Gate in  Embankment Gardens,  London, designed by Sir Balthasar Gerbier and built by the mason Nicholas Stone. This is the only part of Buckingham’s London residence, York House, to survive. It bears his arms, and shells, emblematic of his role as Lord Admiral

Buckingham’s Legacy

Little of Buckingham’s world remains today. Nothing survives from his time at either of his country houses, New Hall in Essex or Burley-on-the-Hill in Rutland, nor does anything remain of the grandiose renovation he carried out at Dover Castle in 1625–6.

Two architectural fragments bear witness to his career: the York Water Gate, the ornate river-entrance to his London residence, York House, which still stands in Embankment Gardens; and that enigmatic doorway that links the King’s Chamber and the Duke’s Chamber at Apethorpe Palace.

Buckingham survives most vividly in the extraordinary correspondence between him and his king, and in the portraits which convey so much about him and his world – the extravagance and pride, the air of courtly fantasy, the arrogance of power, and the remarkable personal beauty which entranced King James and made his fortune.

Further Reading

Lockyer, R, Buckingham: The Life and Political Career of George Villiers, First Duke of Buckingham (New York, 1981)

Lockyer, R, King James VI and I (London, 1998) 

Morrison, K (ed), Apethorpe: The Story of an English House (New Haven and London, 2016)

   

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